Beads and Buttons by Erika Knight

By Erika Knight

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Necklace of cast iron mounted with gold the oval plaques, in open-work, alternately a spray of flowers and a figure subject in the style of an antique gem. : Prussia (Berlin), early nineteenth century. (V. and A. ) xxviii /. 330. LIST OF ILLUSTRATIONS LII. Modern French Jewellery. 1. 2. 3. 4. 5. (V. and A. ) To face p. 338 Enamelled gold brooch. By Georges Fouquet. Neck-ornament {plaque de collier) carved horn, set with pink baroque pearls. By Rene Lalique. Pin for the hair, gold, set with opals and diamonds.

2. Gold miniature-case, translucent green enamel, with pattern in white, from a design by Pierre Firens. /. 293. (V. and A. ) miniature-case of translucent green enamel (/mail Gold *3. " en re'sille) with " pea-pod design in green and red : ; enclosing miniature of Charles II by Samuel Cooper. p. 293. (Mr. J. ) reliquary mounted in enamelled gold and set with a plaque of verre eglomise. Spanish, about 1600. p. 203. (Mr. J. ) *5« Gold locket of purple enamel with floral design in white, yellow, and green on gold {email en re'sille}.

And A. ) Gold ring the shoulders enamelled in the champleve manner with design in black and white. Late sixteenth century. (V. and A. ) : Design Design (Mr. an enamelled ring by Hans van Ghemert (V. ) for (1585). 6. /. 295. for jewellery in for p. 284. enamel-work by Jean Toutin (1619). ) Max p. 285. 7. The Lyte 8. gold and ruby champlev6 enamel on white ground. English, about 1610. pp. 303-4. (B. ) (Enamel-work of identical design occurs on the back of a miniature-case, containing a portrait of Charles I by Peter Oliver, dated 1626, in the collection of Mr.

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